Kenzo Studio is a London video production and animation studio. We make corporate films, animated explainers, motion graphics and internal comms content for marketing and communications teams at large organisations.
Most of our work is about making something complicated clear. A strategy, a service, a piece of research: the kind of thing that makes sense inside a business and needs to land with people outside it.
The studio is founder-led. I direct every project myself, from first brief to final frame, so there's one person accountable throughout. Around that sits a network of animators, editors, sound designers and crews, brought in to fit each project.
Scripts, storyboards, voiceover, music and edit are all handled by us, so you're not coordinating five suppliers.
Brands we work with:
Testimonials
Gendo.ai
We made the investor film for an AI startup. They raised £4.3m. Our fee was 0.5% of the round.
Deloitte
Deloitte has brought me back over 100 times across 11 years. I have pitched for the work once.
NHS
Work made consistently for organisations employing more than 1.5 million people.
Kenzo Studio LTD
Nine years inside Deloitte Digital in London - the world's second-largest digital agency network. Now I do the same work from my own studio with the same network.
McLaren Racing/Formula 1
I worked in the Deloitte team for the McLaren proposal in 2016. Deloitte is now McLaren Racing's Official Transformation Partner across Formula 1, IndyCar and the 2027 WEC entry.
We still make the content.
Nine years on one account, through two employers and three championships.
Deloitte's McLaren work has gone from a technology engagement to branding on three cars. We've made content at every stage of it.
About the studio
Each day we cook lunch together in the studio. It’s a small ritual, but an important one: a chance to step away from the work, sit down together, and make sure nobody gets hangry.
About the founder
Kenzo Ejiri trained as an architect at the Bartlett, UCL (University College London), and worked at Grimshaw Architects before trading buildings for moving image. He cut his teeth in advertising, then spent a decade at Deloitte Digital, building its video, animation, AR (augmented reality) and VR (virtual reality) capability from the ground up. He rose from analyst to associate director before leaving to start Kenzo Studio.
He is also a photographer. His portrait work was shortlisted for the Taylor Wessing Photographic Portrait Prize and hung in the National Portrait Gallery.
He sees structure like an architect, composes like a photographer, and understands clients like a consultant. Ask him why he never settled on one, and he'll ask you why not.
